Edições Anteriores

2005 2006 2007 2009

PORTOMUSICAL 2005:

  • 1. Digital distribution of music and on-line medias – Marc Benaiche (França)
  • 2. The democratization of electronic music in the digital era - Ady harley (Reino Unido)
  • 3. Qualify your content – Stefanie Marcus (Alemanha)
  • 4. Music is a form of life? – John Perry Barlow (EUA)
  • 5. Digital distribution: A matter of changing habits or changing conduts? – Felippe Llerena (Brasil)
  • 6. Into the Digital Groove – Marc Benaiche, Ady Harley, Stefanie Marcus, John Perry Marlow , felippe llerena
  • 7. Musical Technology in Pernambuco – Geber Ramalho e Silvio Meira (Brasil)
  • 8. How to succeed in the music business – Gerald Seligman (EUA)
    • e Robert Urbanus (Reino Unido)
  • 9. Caranguejos com cérebro: the Recife Manguescene – Hélder Aragão a.k.a DJ Dolores (Brasil)
  • 10. Eletronic music in Brazil: A brief reporto n the evolution on the eletronic scene throught advertising agencies, clubs and festivals – Marcos Boffa (Brasil)
  • 11. The music production chain in Brazil - Luis Carlos Prestes Filho (Brasil)
  • 12. Acquiring music licenses for online and móbile use. The european perspective – Dr. Jur. Martin Schaefer (Alemanha)
  • 13. Technological Innovations and their effects on musical creation and copyright system - Caio Mariano (Brasil)
  • 14. The Creative Commons and the new forms of creative collaboration – Ronaldo lemos e Cláudio Prado (Brasil)
  • 15. Touring Brazil with the Brazilian Music Guide – Bruno Boulay (França/Brasil)
  • 16. Tax incentives in Brazil: A source os funds for music? – Cristiane Olivieri (Brasil)
  • 17. Understanding music distribution in Brazil...Key issues from promotion to taxation– Eduardo Muszkat (Brasil)
  • 18. Releasing foreign artists (Carlos Eduardo Miranda (Brasil)
  • 19. How to build a national music export Office – the experience of 1 year of German Sounds – Peter James (reino Unido / Alemanha)
  • 20. Record Producers: cheaper yhan therapy? – Bem Mandelson (Reino Unido)
  • 21. Swimming among sharks: Global strength for local labels– Bettina Schasse de Araújo (Alemanha)
  • 22. Breaking brazilian music in the european market – Jenny Adlington e Jody Gillet (Reino Unido)
  • 23. French festivals and the year of Brazil – Bertrand de Laporte (França)
  • 24. Best practices for entering the U.S. market via radio, print, television, e-commerce of digital downloads – Sean Barlow (EUA)
  • 25. Independent labels in Brazil – A good way? – Silvio Pellacani (Brasil)
  • 26. The current copyright challenge in Brazil – Fernando Yasbek (Brasil)
  • 27. ABMI- The brazilian independent label network – Pena Schimidt (Brasil)
  • 28. Re:Combo – Na experience in collective, decentralized and open creativity – H.D. Mabuse (Brasil)
  • 29. The new music and cultural industries in China and Africa – Dagfinn Bach (Noruega)
  • 30. Games: a soundtrack for music – André Araújo (Brasil)
  • 31. Virtual figures? Sheet Music? Karaokê? How to make money through virtual music teaching on the internet – Américo Amorim (Brasil)
  • 32. MSN Music na the Smithsonian Folkways archive – a music and technology collaboration – Jon Kertzer (EUA)
  • 33. South-South cultural connections – Brazil and Southern Africa - Roshnie Moonsammy (África do Sul)
  • 34. Brazilian Music: the seductive global muse – Beco Dranoff (Brasil)
  • 35. Punk meets global – Aki Nawaz (Paquistão/Reino Unido)
  • 36. Booking foreign artists – Tônia Schubert (Brasil)
  • 37. Impasses in musical coverage in the digital age – Israel do Vale (Brasil)
  • 38. ses São Paulo´s music and market iniciatives – Paulo Casale (Brasil)
  • 39. Is culture a business? The importance of Professional training in the culture market – Ary Scapin (Brasil)

SHOWCASES:

  • Samba de Côo Raízes de Arcoverde (Pernambuco – Brasil)
  • Domenico +2 (Rio de Janeiro – Brasil)
  • Mei tei Sho (França)
  • Dj Dolores (Pernambuco – Brasil)
  • Maciel Salú e o Terno do Terreiro (Pernambuco – Brasil)
  • Helder Vasconcelos e Imaimaná (Pernambuco – Brasil e Colômbia)
  • Chico Correia e Eletronic Band (Paraíba – Brasil)
  • Re: Combo (Pernambuco – Brasil)
  • Orquestra Popular da Bomba do Hemetério (Pernambuco – Brasil)
  • Cabruêra (Paraíba – Brasil)
  • La Phaze e Manu Chao (França)
  • Aki Nawaz 9Reino unido)

PORTOMUSICAL 2006:

  • 1. The future of independent Music – Brad Powell (EUA)
  • 2. Southamerica, internet and music of the world – Jorge Maldonado (México)
  • 3. Fostering the creative industries in Pernambuco and Brazil - José Carlos Cavalcanti (Brasil)
  • 4. INEC- International Network e-Communities – Bas Boorsma (Holanda)
    • orris (EUA)
  • 5. The sampler and musical composition – Filipe Luna (Brasil)
  • 6. Recording companies X móbile telecommunications– Gian Ucello (Brasil)
  • 7. Exporting brazilian Music – Jerome Vonk (Brasil)
  • 8. Exporting brazilian Music – Michel Nicolau / Sérgio Sá Leitão (Brasil)
  • 9. TV and Rádio Cultura – Ney Messias (Brasil)
  • 10. Excellent networking creates networks of excellence – Johannes Theurer (Alemanha)
  • 11. Eyes on the Prize – The BBC Experience – Alex Webb (Reino Unido)
  • 12. Tintin in Mangueland – Jeroen Revalk e Zjakki Willems (Bélgica)
  • 13. Releasing foreign artists and labels in Brazil – Alexandre Teiman e Cláudio Silberberg (Brasil)
  • 14. Envisioning and realizing cross cultural collaborations – Frank London (EUA)
  • 15. Cultural diversity and the promotion of World Music – Jean-François Michel (França)
  • 16. A guide to the brazilian music market – Marinilda Bertolete (Brasil)
  • 17. Entertainment laws in Brazil – Débora Sztanjnberg (Brasil)
  • 18. Foreign artists in Brazil – Toy Lima (Brasil)
  • 19. Overmundo – Hermano Vianna (Brasil)
  • 20. Digital Content on demand – Alecandre Matias e Fred Leal (Brasil)
  • 21. Patterns, culture, content and digital convergence – Silvio Meira (Brasil)
  • 22. Production on international tours – Iran Gomes (Brasil)
  • 23. Metallica, Marilyn Manson and Silvério Pessoa – Peter Hvalkof (Dinamarca)
  • 24. developing brazilian´s northeast music abroad since 90´s – Marc Régnier (França/Brasil)
  • 25. Music for Spies – Fran Ilich (México)
  • 26. Independent labels and festivals in Brazil – Fabrício Nobre e Rodrigo Lariú (Brasil)
  • 27. Sucess of the Year of Brazil in France – Bruno Boulay (França/Brasil)
  • 28. México: Gateway to the Américas, a performing arts encounter – bringing together ideas, people, network and resources from throughout the American Continent – Cristina King Miranda (México)
  • 29. Doing music business in South Africa – David Alexandre (Alemanha)
  • 30. Sesc São Paulo and the brazilian music scene – Mônica Carnieto (Brasil)
  • 31. How to survive in the music industry– Gerald Seligman (EUA)
  • 32. Successfully promoting artists in the digital world – Marc Benaiche (Brasil)
  • 33. The past of the future – Lu Edmonds (EUA)
  • 34. Conference speakers and you – Hosted by Geraldo seligman “Looking Ahead”. Guest: Lenine (EUA / Brasil)

SHOWCASES:

  • Virgínia Rodrigues (Bahia – Brasil)
  • Dj Mr. Bongo (Reino Unido)
  • Bumcello (França)
  • Alex Sant´Anna (Sergipe – Brasil)
  • Debayres (Argentina)
  • DJ Cliffy – Future World Of Funk (Reino Unido)
  • VJ Yellow (Pernambuco – Brasil)
  • Bonsucesso Samba Clube (Pernambuco – Brasil)
  • The Gift (Portugal)
  • DJs Guga de Castro e Marquinhos – Farra na Casa Alheia (Ceará – Brasil)
  • VJ Dowling (Paraíba – Brasil)
  • Isaar (Pernambuco – Brasil)
  • La Pupuña (Pará – Brasil)
  • Think Of One – Trafico (Bélgica / Pernambuco- Brasil)
  • Dj Bruno Pedrosa (Pernambuco – Brasil)
  • VJ Victor (Paraíba – Brasil)

PORTOMUSICAL 2007:

  • 1. Synchronization and strengthening of the independent ones – Maurício Tagliari (Brasil)
  • 2. Pannel: Distribution – César Prado , Maurício Bussab e João Moreirão (Brasil)
  • 3. Export through new channels of distribution: A challenge for the decade – Michel Perrin (França/Brasil)
  • 4. Raggae Sunsplash – The transformation: local Festival to a Global Brand – Wayne Sinclair (Jamaica)
  • 5. Music rebirth: the end of labels as we know them? – Brad Powel (EUA)
  • 6. Rhythm Science – Paul Miller a.k.a. DJ Spooky (EUA)
  • 7. Acess, Authorrship and autonomy: from netlabels to cooperatives. Na Outlook on entertainment micro industries – H.D. Mabuse (Brasil)
  • 8. Pannel: Investing in product quality – Carlos de Andrade e Mate Lelo (Brasil)
  • 9. Pannel: Musical presence: how to appear among a million songs – Pena Schimidt, Beni Goldnberg (Brasil)
  • 10. Presenting and promoting brazilian music outside Brazil – Jack O´neil (EUA)
  • 11. Go International! Go Global! How can a brand-new brazilian artist meet success outside Brazil? – Hanna Gorjaczkowska (Bélgica)
  • 12. Publicity strategies for music that góes beyond cultures – Dmitri Vietze (EUA)
  • 13. Lawyers, weapons and money – William Hochberg (EUA)
  • 14. Monetising the Anarch: trading granularity for a Blanket – Peter Jenner (Reino Unido)
  • 15. Pannel: independent music and solidarity economy festivals – Luciano Canez, Dione Manetti , Fabrício Nobre e Ary Moraes (Brasil)
  • 16. Pannel: Public TV and Radio – Israel do Vale, Kiko Ferreira e Gabriel Priolli (Brasil)
  • 17. Independent recording studios – a business outlook – João Augusto (Brasil)
  • 18. World Music and digital music: Navigating in a changing market – Peter Jenner (Reino Unido)
  • 19. Pannel: Support to brazilian music – Cláudio Jorge, Valéria Barros e Pedro Lapa (Brasil)
    • 20. Pannel: Actions for the development of the productive chain of music – Demian Fiocca, Gilberto Gil, Paula Porta e Alfredo Manevy (Brasil)
  • 21. The active listening – François Pachet (França)
  • 22. Golden age of videoclip – Alexandre Matias (Brasil)
  • 23. Pannel: regional strategies for the promotion, diffusion and development of local culture industries – Agustina Peretti (Argentina) e Octavio Arbeláez (Colômbia)

SHOWCASES:

  • Coletivo Rádio Cipó (Pará – Brasil)
  • Z´África Brasil (Rio de Janeiro – Brasil)
  • Axel Krieger ( Argentina)
  • Cabruêra (Paraíba – Brasil)
  • Autoramas (Rio de Janeiro – Brasil)
  • Otto (Pernambuco – Brasil)
  • La Kinky Beat (Espanha)
  • Axial ( São Paulo – Brasil)
  • Vulgue Tostoi (Rio de Janeiro – Brasil)
  • Bossacucanova (Rio de Janeiro – Brasil)
  • Nation beat + Maracatu Estrela Brilhante (EUA e Brasil)
  • Anis (França)